A very breathy wind instrument patch, using a “physical modeling” approach - white noise passing through two tracking filters, effectively acting as the “resonators” in a wind instrument. Compression to emphasize the onset blowing noise.
It responds to the mod wheel if you want all the good Boards of Canada feels. 
It only works really well in the F-5 to E-6 or so range - if you manage to improve this with better key-tracking for higher/lower notes, please post back! 
Nice;-)
Here I’ve made an MPE version, for added expression (exploring possibilities)
MPE-Breathy Pipe.vital (285.5 KB)
Vital is really great for physical modeling, when Matt will implement volume at filters output level it will be an excellent PM synth.
I love the phaser filter for this kind of tube model.
A tips for pm lovers: if you don’t care about stereo, like me:) and polyphony, you could make a modal filter with using the phaser filter or BP with the 3 available Vital’s filters and multiplying that by 2 if you use the stereo modulator.
( offset parameters, filters freq or what ever you want with the stereo modulator)
Try it, it’s epic.
I try to create a brass patch, at my humble level, inspired by the Greatest Edmund Eagan, (Antonio, I know you know him:)), using an osc with bend and a comb filter.( will be available in the next Eaganmatrix update)
This patch need works but I will share it with you.
Best
YY.
I share all my golden tricks:
Depends on the waveform, the spectral modifier stretch harm can give some good results near from what the continuum : Harman module does.
Best
YY
Great ! can’t wait to try it
I’m very into Vital and its MPE capabilities… early days.
Nicely done!! Very expressive.
Thanks, I’m a big fan of breathy flutes. Much appreciated
DSPplug